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https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1547170570795-5HI5IFT8GT1N5EXXL7FJ/nosttcolour.png Nosferatu: A Fractured Symphony https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1567600459866-IBK2UT2JC8Q9216V454T/nos.jpg Nosferatu: A Fractured Symphony https://www.montaguebasement.com/saropastshows daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559563423926-1EEML2BEKA310HU1YV7P/MB+Cat%27s+Neck-1664.jpg Saro Lusty-Cavallari - Past Shows - BLOOD ON THE CAT’S NECK (2019) 22 May - 1 June Bordello Room, KXT ”"This is an excellent production by a small Sydney theatre company that keeps getting better and better." — Lisa Thatcher https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1603324205344-Z03P0LWIZPBLVGS742LR/Animal+Farm+1548.jpg Saro Lusty-Cavallari - Past Shows - ANIMAL FARM (2020) 13 October - 7 November New Theatre "Excels in every regard. Under [Lusty-Cavallari's] expert direction, the 1945 classic has been given a breath of fresh air .” - State of the Art https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407378169-QJ5IAS36YQSQ0YLSWVE7/VCA_Show6_MG_2694.jpg Saro Lusty-Cavallari - Past Shows - THEBAN DOLLS (2019) 25 - 27 October Martyn Myer Arena, VCA Performed as part of VCA’s Masters of Directing for Performance Graduate Season. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195368550-V6B3YA7M2GRQTKOSNQAK/20220714_AttemptsOnHerLife_1-29.jpg Saro Lusty-Cavallari - Past Shows - ATTEMPTS ON HER LIFE (2022) 15 - 30 July KXT “A stellar production that shows the possibility of what independent theatre can achieve.” - Theatre Thoughts https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223587551-IURVNVR5HIB5RYOYCH3K/IMG_7035.jpg Saro Lusty-Cavallari - Past Shows - 6 CHARACTERS IN SEARCH OF AN AUTHOR (2014) 26-29 March Studio B Sydney University Dramatic Society “It is always a pleasure examining existentialist open-ended questions, and Lusty-Cavallari clearly has a flair in dealing with them in a delicate manner.” - Suzy Goes See https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552218498783-X0DQMMQ93JFENI4H6OX3/Hamlet+MB-7328.jpg Saro Lusty-Cavallari - Past Shows - HAMLET (2015) 1-5 September PACT Theatre ”Montague Basement’s Hamlet is unlike any seen before. This well known tragedy has been reshaped and reconceptualised under Lusty-Cavallari’s direction” - Aussie Theatre https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552222824040-YWC3QYU07VA78YB4WPNT/IMG_9346.jpg Saro Lusty-Cavallari - Past Shows - ALL ABOUT MEDEA (2015) 15-19 September Old 505 Theatre Sydney Fringe “A standout in a very crowded, very high-quality Fringe season.” - Honi Soit https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1613823704670-IE9RDV654AL0WHG81GQ6/Videotape-6040+%282%29.jpg Saro Lusty-Cavallari - Past Shows - VIDEOTAPE (2021) 29 Jan - 12 Feb KXT “writer & director Saro Lusty-Cavallari has crafted an emotionally and politically relevant work” -Theatre Travels https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1583721271312-7E9VTC8E7ITNF7X10OWF/GAP000-38.jpg Saro Lusty-Cavallari - Past Shows - THE GREAT AUSTRALIAN PLAY (2020) 19-29 May Theatre Works ”directed with elan” - The Australian https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110207704-HYI6SR7LKU8MB75A2A7X/MB%2BMacbeth-6734.jpg Saro Lusty-Cavallari - Past Shows - MACBETH (2016) 29 November - 10 December PACT Theatre "Lusty-Cavallari has turned the traditional framework of this classic play on its side, offering up a raw and visually stunning performance that might finally cure your fear of ye olde theatre." - Twenty Something Humans https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110101928-KEBRT2USVKJHCIWBCTY0/20170918_Cleansed_MontagueB_ClareHawley-41.jpg Saro Lusty-Cavallari - Past Shows - CLEANSED (2017) 19-23 September PACT Theatre Sydney Fringe "The experience is exceptional. Cleansed will cause your brain to short-circuit into half-formed ideas and interpretations, leaving your body to physically feel the emotions of the play." - Lesbians On The Loose https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110046691-Z8S9ABLM8KJN8HV3R6NN/E37C2905.jpg Saro Lusty-Cavallari - Past Shows - THE PUBLIC DOMAIN OPERA (2018) 10-16 September The Butterfly Club Melbourne Fringe Festival “a brave and ambitious show about resilience in the face of setbacks.” - Weekend Notes https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552109554381-2TL6KP3N1F5E133SUXFX/Nsfrt%2BTech-9620.jpg Saro Lusty-Cavallari - Past Shows - NOSFERATU: A FRACTURED SYMPHONY (2019) 8-19 January Old 505 Theatre “a masterful new work… executed to perfection.” - Weekend Notes https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223957845-YCFUS09QE7AR02TIHA6A/IMG_0062.JPG Saro Lusty-Cavallari - Past Shows - THREE SISTERS 30 July - 9 August Studio B Sydney University Dramatic Society ”There is no question that Lusty-Cavallari’s first production with professional performers will deliver impressive results; the amount of potential hastening to rupture is unmistakable.” -Suzy Goes See https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223120675-YDDJ5TJ1ZH16OARBFI4S/IMG_0306.jpeg Saro Lusty-Cavallari - Past Shows - PROCNE & TEREUS (2014) 16-20 September Tap Gallery Sydney Fringe “Lusty-Cavallari’s work is conceived with complexity, but his execution is articulate and concise. His talent is real, and its development is incredibly exciting.” - Suzy Goes See https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110470255-6HBX20KMPE30BAVCS1SX/IMG_5083%2BEDIT.jpg Saro Lusty-Cavallari - Past Shows - THE BIG BRUISE (2016) 5-16 April 107 Projects “The Big Bruise deftly ironizes the social mythologies that occlude the persisting stigma of suicide. Lusty-Cavallari’s work here as writer/director is wry and light of touch.” - The Rochford Street Review https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1603324205344-Z03P0LWIZPBLVGS742LR/Animal+Farm+1548.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407378169-QJ5IAS36YQSQ0YLSWVE7/VCA_Show6_MG_2694.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559563423926-1EEML2BEKA310HU1YV7P/MB+Cat%27s+Neck-1664.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552109554381-2TL6KP3N1F5E133SUXFX/Nsfrt%2BTech-9620.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1583721271312-7E9VTC8E7ITNF7X10OWF/GAP000-38.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195368550-V6B3YA7M2GRQTKOSNQAK/20220714_AttemptsOnHerLife_1-29.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1613823704670-IE9RDV654AL0WHG81GQ6/Videotape-6040+%282%29.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110101928-KEBRT2USVKJHCIWBCTY0/20170918_Cleansed_MontagueB_ClareHawley-41.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552222824040-YWC3QYU07VA78YB4WPNT/IMG_9346.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552218498783-X0DQMMQ93JFENI4H6OX3/Hamlet+MB-7328.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110470255-6HBX20KMPE30BAVCS1SX/IMG_5083%2BEDIT.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223587551-IURVNVR5HIB5RYOYCH3K/IMG_7035.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110207704-HYI6SR7LKU8MB75A2A7X/MB%2BMacbeth-6734.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552110046691-Z8S9ABLM8KJN8HV3R6NN/E37C2905.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223957845-YCFUS09QE7AR02TIHA6A/IMG_0062.JPG https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552223120675-YDDJ5TJ1ZH16OARBFI4S/IMG_0306.jpeg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658294343286-MHG4IX0ZQ54PRVAYOPZE/20220714_AttemptsOnHerLife_1-69.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1613823643928-VH5VAI2HLRYFAGKOK4H4/Videotape-6040+%282%29.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1583294705607-5R5TMWOYRFVGKH477USR/GAP000-56.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1603324205344-Z03P0LWIZPBLVGS742LR/Animal+Farm+1548.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407378169-QJ5IAS36YQSQ0YLSWVE7/VCA_Show6_MG_2694.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559563423926-1EEML2BEKA310HU1YV7P/MB+Cat%27s+Neck-1664.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1552109554381-2TL6KP3N1F5E133SUXFX/Nsfrt%2BTech-9620.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1539310966464-AUMK6L05X18V4BQNS1J3/E37C2905.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1505864338116-KWYUP6HFZAFBEK0FOPSJ/20170918_Cleansed_MontagueB_ClareHawley-41.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/16a51be9-7150-4ed4-898a-3a2345187637/Light-Leaks-1-imgg-gi3-6ecytua4.png Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384549719-X3IXNA6KDJ99W3LMDTY4/_A2A6879.jpg Saro Lusty-Cavallari - Past Shows https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/5432623a-27ff-490d-8ea3-f0009f351f8b/2023-NEW-All-My-Sons-7355.jpg Saro Lusty-Cavallari - Past Shows https://www.montaguebasement.com/program daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417724851-R8EJGVQHGAGQ47Q5HGNH/57088118_1038869659570552_7438404699746729984_n.jpg Program - DENG DENG - SOLDIER Deng Deng an African-Australia actor/writer and a recent graduate of the Academy of Film Theatre and Television. Deng was in the web series How to F*** a French Woman (2018) and such short films as Probre Diablo directed by Constance Billuad (2017) and Fightless directed by Bart Wilkinson (2017). Besides screen work Deng had also appeared on stage in AFTT’s Love and Information directed by Luke Rogers (2017) and Romeo and Juliet directed by Sean O’Riordan (2017). Deng also worked as a Dialect Coach & Cultural Consultant on Darlinghurst Theatre Company's production of Maggie Stone by Sandra Eldridge (2018). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417677054-R2LMAGZ7C0UWN8M5NQPK/56951153_1034480766676108_288085073113120768_n.jpg Program - JEMWEL DANAO - TEACHER Jemwel’s most recent production was performing in Bell Shakespeare’s 2018 main stage national tour of Julius Caesar. His other theatre credits include A Man with Five Children for Darlinghurst Theatre Company, Thai-riffic for The Theatre Division/Monkey Baa Theatre Company and The Shape of Things for New Theatre. His TV screen credits include Hyde and Seek, Janet King and The Cut. Training: Sydney Theatre School, ATYP and NIDA. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417853979-T6ZCTA8US1TJ1DNHVSOW/59286199_1059387814185403_6416510385209212928_n.jpg Program - annie stafford - MODEL After completing the Music Theatre Foundation Course at VCA in 2012, Annie was accepted into the Bachelor of Acting course at NIDA where she had the honour to work with and perform in The Light In The Piazza (Roger Hodgeman), The Roaring Girl (Andrea Moor), Love and Honour and Pity and Pride and Compassion and Sacrifice (Priscilla Jackman), Stranger I Am (Craig Ilot), El Dorado (Imara Savage) and #KillAllMen (Anthea Williams). Since graduating, Annie’s credits have included Snap Season (Life After Productions), Cleansed (Montague Basement), Love, Me (The Old 505), DVA (Karina Russell), My First Panic (AFTRS), Stupid Fucking Bird (The New Theatre) for which she won a Sydney Theatre Award for Best Female Actor in a Supporting Role in an Independent Production, Pinocchio (Little Eggs Collective), Whose Uterus Is It Anyway (Bite Size Productions), Nosferatu (Montague Basement) and The Rime of The Ancient Mariner (Little Eggs Collective). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417582717-8CDSRFCMUXXTK25484M1/56408567_1025843234206528_178033575604518912_n.jpg Program - ALEX CHALWELL - POLICEMAN Alex graduated from the Actors Centre Australia in 2014. The next year he went on to study for a further six months at École Philippe Gaulier in France. In 2018 he completed a six-month tour of Australia with the Bell Shakespeare Players, and later this year will perform again with the company as Malcolm in their education season of Macbeth. Additional theatre credits include Cleansed (Montague Basement at PACT Theatre, 2017), The Laden Table (bAKEHOUSE at Kings Cross Theatre, 2017), Intersection (ATYP, 2017), Journey’s End (Cross Pollinate Productions at ATYP, 2016), as well as the ludicrously long-titled but nonetheless-delightful Love and Honour and Pity and Pride and Compassion and Sacrifice (NIDA Director’s Graduate Season, 2015). When not working as an actor, Alex is a clown in children’s hospitals, having worked in Sydney and across the Northern Territory, alongside paediatricians in remote Indigenous medical clinics. His novel manuscript, Sky, won the inaugural NSW Writers’ Centre’s Under 30s Varuna Fellowship in 2017. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417751313-JAYJUC9I6YL1ZO35B459/57624873_1041126786011506_7689315465113370624_n.jpg Program - LAURA DJANEGARA - PHOEBE ZEITGEIST Laura grew up in Perth with a passion for performing. Laura completed a BMus majoring in Classical Voice in 2012 at the Western Australian Academy of Performing Arts (WAAPA). At WAAPA, she performed in the operas Die Fledermaus and The Rake’s Progress, and was nominated for the Julie Michael Award for Musical Cabaret. Laura completed a BFA in Acting from the National Institute of Dramatic Art (NIDA) in 2016. At NIDA, she performed in The Roaring Girl, Stranger I Am, The Olympians and The Space Between the Fire and the Fuel. She was most recently seen in Time Stands Still (Eclipse Productions), Visiting Hours (KXTbakehouse) and The Laramie Project (Theatretravels). She is excited to be working with Montague Basement on this show. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558419942565-5HP7UYJKKZ2WCB5OA7FA/TheaterplakatBlut.jpg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558418247804-8IEEPIJXKQ5T6ASF57QT/Saro+Lusty-Cavallari+-+Headshot.jpg Program - saro lusty-cavallari - DIRECTOR/SOUND DESIGNER Saro is the co-director and co-founder of Montague Basement. For Montague Basement he has written, directed and designed including Procne & Tereus (Sydney Fringe 2014), All About Medea (2015), The Big Bruise (107 Projects 2016), Cleansed (2017). He was the Directorial Secondment for Bell Shakespeare’s Richard 3 (2017). He is currently completing a Masters of Directing for Performance at VCA and made his Melbourne directorial debut with The Public Domain Opera at The Butterfly Club for the 2018 Melbourne Fringe. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558419040963-8Q93UAKGVY6XKOL0Z81K/57852727_1050906561700195_7021228968598568960_n.jpg Program - ALICE KEOHAVONG - MISTRESS Alice Keohavong is best known for her work in the internationally award winning film The Rocket, for which she earned an AACTA nomination for Best Supporting Actor in a Feature Film, as well as a Beijing International Film Festival nomination for Best Supporting Actor for her portrayal of Mali. Having just finished performing in A Ghost in my Suitcase for Barking Gecko Theatre Company as part of the Sydney, Melbourne and Perth International Arts Festivals, Alice’s other theatre credits include Othello (national tour), Macbeth, Romeo and Juliet for Bell Shakespeare; Monkey Tales 1&2 for Monkey Baa Theatre Company, Barbaric Truth for Sydney Theatre Company’s Rough Cut series; and His Mother’s Voice for Bakehouse Theatre Company. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417835800-YCGC9289B78WS5S4IWZ8/59748600_1059385664185618_5872226432670760960_n.jpg Program - brendan miles - BUTCHER A graduate of ACTT, over the last few years Brendan has worked with some of the leading independent theatre companies in Sydney: namely Tooth and Sinew (Scenes from an Execution; Year of the Family) and Mad March Hare (Shivered). In the last year he has worked with Company of Rogues (Boy Out Of The Country) and with the New Theatre on Stupid Fucking Bird, which was awarded Best Independent Production at the Sydney Theatre Awards. Just recently Brendan performed Leonato in Bar’d Work's sellout season of Much Ado About Nothing. Brendan has also had numerous roles on TV with appearances in Love Child; Not the Boy Next Door - The Peter Allen Story; A Place to Call Home; Frayed and Doctor Doctor. Brendan will be also appearing in upcoming productions Les Norton (ABC) as well as Table (White Box Theatre). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558497239526-V9M4KC93D7LOR7XUZHOX/20170203_102442.jpg Program - sophie pekbilimli - LIGHTING DESIGNER Sophie Pekbilimli graduated from Newtown High School of the Performing arts in 2010. She spent 4 years as an active member of the technical company designing dance, drama and circus performances. Since then has designed many shows such as When Pigs Fly by Aerialize theatre in 2010.; The Promise by students from EORA college in 2010.;in 2012 and 2014 the Pacific Opera The Deluded Bridegroom / Highlights from La Boheme and the Gondoliers. In 2015 she joined Lennon Through A Glass Onion as their lighting designer and has travelled all over the world with them to places like the UK, Canada and Japan. Last year she designed well known artist Agatha Gothe-Snapes Rhetorical Chorus during the Liveworks festival in 2017. In 2018 she designed You & Me and Puss in Boots both presented by City Recital Hall and The House of Sand’s production of Revolt. She said. Revolt Again. by Alice Birch, Air by Joanna Erskine, Lie With Me by Liz Hobart, Pramkicker by Sadie Hasler, Dancing with Drip Poles by Serena Weatherall, and The Caretaker by Throwing Shade Productions,. This year she designed Salt by The House That Dan Built and The Divorce Party by Liz Hobart. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558418017513-G94SVI6UR85I4BMJH55B/DY7u8RSUQAIra-f.jpg Program - imogen gardam - PRODUCER Imogen is the co-director and co-founder of Montague Basement. She has produced all of the company’s fifteen productions since its inception in 2014. She currently works at Bell Shakespeare as Artistic Administrator. In 2018 Imogen was awarded the Rose Byrne Scholarship for an Emerging Female Arts Leader. Imogen is the Deputy Chair of Theatre Network NSW. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558497019364-JYYLOJQF9PWW6YDY7R84/c5zBgqAA.jpeg Program - grace deacon - COSTUME DESIGNER Grace is a Set and Costume Designer working across theatre, film and television. She is a graduate of the National Institute of Dramatic Art (BFA – Design for Performance 2019, MFA – Design for Performance 2020). Grace is currently working as the Set Designer for Meat Eaters directed by Kate Champion. Later this year, Grace will work as the Set and Costume Designer for This Bitter Earth directed by Riley Spadaro and God of Carnage directed by Judy Davis. In 2018, Grace seconded with Julio Himedes in New York and Los Angeles on the Nickelodeon Kids Choice Awards, and designed We Are Gods (NIDA), Distant Places (Triple J Unearthed/NIDA) and Optics (short film). Grace is the recipient of a William Fletcher Foundation Grant. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558423451101-I4DM7H1Z44RFKBFPKINE/60700461_363729441158682_8646959096127291392_n.jpg Program - Jules Orcullo - ASSISTANT DIRECTOR Jules Orcullo is a Filipina-Australian theatremaker and producer with The Joy Offensive which launched in London in 2017. Works for theatre include: earth. ocean. ancestors. (producer/curator, across UK), May Utang (writer/performer, Theatre Absolute UK), Look, See (writer/director, Theatre Royal Stratford East UK) and phroot sahlad (writer/performer, across UK). She is an alumna of development programmes at Playwriting Australia, Q Theatre, the Australian Theatre for Young People, The Royal Court (UK), Soho Theatre (UK), Lyric Hammersmith (UK), The North Wall Arts Centre (UK), Belgrade Theatre (UK) and Yellow Earth Theatre (UK). Jules is currently in artist development programmes with KXT and National Theatre of Parramatta, and directing Ten Years To Home with Nautanki Theatre at Riverside Theatres this year. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417781701-Y4B4AOPYDXCXDPJJ5Z3L/58377795_1048512328606285_3047008013492682752_n.jpg Program - DEBORAH GAlanos - DEAD SOLDIER’S WIFE Deborah is a graduate of the National Institute of Dramatic Art (NIDA), and University of Sydney. She has worked with most theatre companies including Sydney Theatre Company, Queensland Theatre Company, Belvoir, State Theatre Company of South Australia, Darlinghurst Theatre Company, Ensemble Theatre, Sport For Jove, Redline Productions/Old Fitz, Apocalypse and spent years touring various shows around Australia. Deborah’s television credits include Street Smart, Pulse, Camp, Redfern Now, Rake, My Place, Children’s Hospital, Police Rescue, All Saints, A Country Practice, Home & Away, GP, Murder Call. Her film credits include Cavity, Inside Out, The Premonition, Razzle Dazzle, Balls, No Worries, Boys From the Bush. Deborah’s theatre credits include Metamorphoses, The Seagull, Romeo & Juliet, The Mystery Of Love & Sex, Who’s Afraid Of Virginia Woolf?, Antigone, Dropped, Unfinished Works, The House Of Ramon Iglesia, The Plot, The God Committee, Greek Tragedy, Mum’s the Word, Hotel Hibiscus, The Shearston Shift, The Heartbreak Kid, The Mandrake, Boswell for the Defence, and A Kind of Alaska. Deborah received Sydney Theatre Awards Best Supporting Actress nominations in 2015 and 2016 for her role of Dolores in The House of Ramon Iglesia and for her work in Sport For Jove’s acclaimed Antigone, and was in the multi-award winning 2018 production Metamorphoses. Deborah stars in the newly released Australian film Chasing Comets, and recently returned from Geordie Brookman’s acclaimed world premier for State Theatre Company of South Australia, Gods Of Strangers. In May this year, Deborah performed in Lady Tabouli for Griffin Theatre’s Batch Festival. Deborah is a proud Equity Platinum Member of MEAA since 1990. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558169112684-PZGSKIAVN6PC7XCMJEVP/compressedtt.png Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417653214-NWNJUQWAAG1MUKPR8EV3/56567265_1031156513675200_8012073813502066688_n.jpg Program - JACK CRUMLIN - LOVER A 2015 Actors Centre Australia graduate, Jack Crumlin has worked with several Sydney based theatre companies including Bell Shakespeare (2018: Romeo and Juliet, 2016: A Midsummer Night’s Dream) The Kings Collective (2017 - Wasted by Kate Tempest) and ATYP (2016: Journey’s End). Jack has recently featured on Reef Break, a US TV series with ABC International due to air in May 2019. This is Jack’s first production with Montague Basement. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417800019-1I520IF5WOEGTEA41L9V/58670502_1053413048116213_6847004921611419648_n.jpg Program - emma kew - GIRL Emma graduated from the National Institute of Dramatic Arts in 2018 with a BFA (Acting). Her NIDA credits include the role of Dot in Carking It, Kate in The Removalists, Margery Pinchwife in The Country Wife, Mrs Putnam in Salem and performed in the ensemble in All That Glitters. While at NIDA, Emma received the Hazel Treweek Shakespeare award for excellence in classical theatre. Most recently Emma featured in JackRabbit's production of Leopardskin at the KXT. She is very excited by what the indie theatre scene in Sydney is producing and is thrilled to be working on this new production. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558418247804-8IEEPIJXKQ5T6ASF57QT/Saro+Lusty-Cavallari+-+Headshot.jpg Program - saro lusty-cavallari - DIRECTOR/SOUND DESIGNER Saro is the co-director and co-founder of Montague Basement. For Montague Basement he has written, directed and designed including Procne & Tereus (Sydney Fringe 2014), All About Medea (2015), The Big Bruise (107 Projects 2016), Cleansed (2017). He was the Directorial Secondment for Bell Shakespeare’s Richard 3 (2017). He is currently completing a Masters of Directing for Performance at VCA and made his Melbourne directorial debut with The Public Domain Opera at The Butterfly Club for the 2018 Melbourne Fringe. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558497019364-JYYLOJQF9PWW6YDY7R84/c5zBgqAA.jpeg Program - grace deacon - COSTUME DESIGNER Grace is a Set and Costume Designer working across theatre, film and television. She is a graduate of the National Institute of Dramatic Art (BFA – Design for Performance 2019, MFA – Design for Performance 2020). Grace is currently working as the Set Designer for Meat Eaters directed by Kate Champion. Later this year, Grace will work as the Set and Costume Designer for This Bitter Earth directed by Riley Spadaro and God of Carnage directed by Judy Davis. In 2018, Grace seconded with Julio Himedes in New York and Los Angeles on the Nickelodeon Kids Choice Awards, and designed We Are Gods (NIDA), Distant Places (Triple J Unearthed/NIDA) and Optics (short film). Grace is the recipient of a William Fletcher Foundation Grant. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558169112684-PZGSKIAVN6PC7XCMJEVP/compressedtt.png Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417751313-JAYJUC9I6YL1ZO35B459/57624873_1041126786011506_7689315465113370624_n.jpg Program - LAURA DJANEGARA - PHOEBE ZEITGEIST Laura grew up in Perth with a passion for performing. Laura completed a BMus majoring in Classical Voice in 2012 at the Western Australian Academy of Performing Arts (WAAPA). At WAAPA, she performed in the operas Die Fledermaus and The Rake’s Progress, and was nominated for the Julie Michael Award for Musical Cabaret. Laura completed a BFA in Acting from the National Institute of Dramatic Art (NIDA) in 2016. At NIDA, she performed in The Roaring Girl, Stranger I Am, The Olympians and The Space Between the Fire and the Fuel. She was most recently seen in Time Stands Still (Eclipse Productions), Visiting Hours (KXTbakehouse) and The Laramie Project (Theatretravels). She is excited to be working with Montague Basement on this show. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417677054-R2LMAGZ7C0UWN8M5NQPK/56951153_1034480766676108_288085073113120768_n.jpg Program - JEMWEL DANAO - TEACHER Jemwel’s most recent production was performing in Bell Shakespeare’s 2018 main stage national tour of Julius Caesar. His other theatre credits include A Man with Five Children for Darlinghurst Theatre Company, Thai-riffic for The Theatre Division/Monkey Baa Theatre Company and The Shape of Things for New Theatre. His TV screen credits include Hyde and Seek, Janet King and The Cut. Training: Sydney Theatre School, ATYP and NIDA. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558418017513-G94SVI6UR85I4BMJH55B/DY7u8RSUQAIra-f.jpg Program - imogen gardam - PRODUCER Imogen is the co-director and co-founder of Montague Basement. She has produced all of the company’s fifteen productions since its inception in 2014. She currently works at Bell Shakespeare as Artistic Administrator. In 2018 Imogen was awarded the Rose Byrne Scholarship for an Emerging Female Arts Leader. Imogen is the Deputy Chair of Theatre Network NSW. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417853979-T6ZCTA8US1TJ1DNHVSOW/59286199_1059387814185403_6416510385209212928_n.jpg Program - annie stafford - MODEL After completing the Music Theatre Foundation Course at VCA in 2012, Annie was accepted into the Bachelor of Acting course at NIDA where she had the honour to work with and perform in The Light In The Piazza (Roger Hodgeman), The Roaring Girl (Andrea Moor), Love and Honour and Pity and Pride and Compassion and Sacrifice (Priscilla Jackman), Stranger I Am (Craig Ilot), El Dorado (Imara Savage) and #KillAllMen (Anthea Williams). Since graduating, Annie’s credits have included Snap Season (Life After Productions), Cleansed (Montague Basement), Love, Me (The Old 505), DVA (Karina Russell), My First Panic (AFTRS), Stupid Fucking Bird (The New Theatre) for which she won a Sydney Theatre Award for Best Female Actor in a Supporting Role in an Independent Production, Pinocchio (Little Eggs Collective), Whose Uterus Is It Anyway (Bite Size Productions), Nosferatu (Montague Basement) and The Rime of The Ancient Mariner (Little Eggs Collective). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417724851-R8EJGVQHGAGQ47Q5HGNH/57088118_1038869659570552_7438404699746729984_n.jpg Program - DENG DENG - SOLDIER Deng Deng an African-Australia actor/writer and a recent graduate of the Academy of Film Theatre and Television. Deng was in the web series How to F*** a French Woman (2018) and such short films as Probre Diablo directed by Constance Billuad (2017) and Fightless directed by Bart Wilkinson (2017). Besides screen work Deng had also appeared on stage in AFTT’s Love and Information directed by Luke Rogers (2017) and Romeo and Juliet directed by Sean O’Riordan (2017). Deng also worked as a Dialect Coach & Cultural Consultant on Darlinghurst Theatre Company's production of Maggie Stone by Sandra Eldridge (2018). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558419040963-8Q93UAKGVY6XKOL0Z81K/57852727_1050906561700195_7021228968598568960_n.jpg Program - ALICE KEOHAVONG - MISTRESS Alice Keohavong is best known for her work in the internationally award winning film The Rocket, for which she earned an AACTA nomination for Best Supporting Actor in a Feature Film, as well as a Beijing International Film Festival nomination for Best Supporting Actor for her portrayal of Mali. Having just finished performing in A Ghost in my Suitcase for Barking Gecko Theatre Company as part of the Sydney, Melbourne and Perth International Arts Festivals, Alice’s other theatre credits include Othello (national tour), Macbeth, Romeo and Juliet for Bell Shakespeare; Monkey Tales 1&2 for Monkey Baa Theatre Company, Barbaric Truth for Sydney Theatre Company’s Rough Cut series; and His Mother’s Voice for Bakehouse Theatre Company. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417653214-NWNJUQWAAG1MUKPR8EV3/56567265_1031156513675200_8012073813502066688_n.jpg Program - JACK CRUMLIN - LOVER A 2015 Actors Centre Australia graduate, Jack Crumlin has worked with several Sydney based theatre companies including Bell Shakespeare (2018: Romeo and Juliet, 2016: A Midsummer Night’s Dream) The Kings Collective (2017 - Wasted by Kate Tempest) and ATYP (2016: Journey’s End). Jack has recently featured on Reef Break, a US TV series with ABC International due to air in May 2019. This is Jack’s first production with Montague Basement. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417582717-8CDSRFCMUXXTK25484M1/56408567_1025843234206528_178033575604518912_n.jpg Program - ALEX CHALWELL - POLICEMAN Alex graduated from the Actors Centre Australia in 2014. The next year he went on to study for a further six months at École Philippe Gaulier in France. In 2018 he completed a six-month tour of Australia with the Bell Shakespeare Players, and later this year will perform again with the company as Malcolm in their education season of Macbeth. Additional theatre credits include Cleansed (Montague Basement at PACT Theatre, 2017), The Laden Table (bAKEHOUSE at Kings Cross Theatre, 2017), Intersection (ATYP, 2017), Journey’s End (Cross Pollinate Productions at ATYP, 2016), as well as the ludicrously long-titled but nonetheless-delightful Love and Honour and Pity and Pride and Compassion and Sacrifice (NIDA Director’s Graduate Season, 2015). When not working as an actor, Alex is a clown in children’s hospitals, having worked in Sydney and across the Northern Territory, alongside paediatricians in remote Indigenous medical clinics. His novel manuscript, Sky, won the inaugural NSW Writers’ Centre’s Under 30s Varuna Fellowship in 2017. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558423451101-I4DM7H1Z44RFKBFPKINE/60700461_363729441158682_8646959096127291392_n.jpg Program - Jules Orcullo - ASSISTANT DIRECTOR Jules Orcullo is a Filipina-Australian theatremaker and producer with The Joy Offensive which launched in London in 2017. Works for theatre include: earth. ocean. ancestors. (producer/curator, across UK), May Utang (writer/performer, Theatre Absolute UK), Look, See (writer/director, Theatre Royal Stratford East UK) and phroot sahlad (writer/performer, across UK). She is an alumna of development programmes at Playwriting Australia, Q Theatre, the Australian Theatre for Young People, The Royal Court (UK), Soho Theatre (UK), Lyric Hammersmith (UK), The North Wall Arts Centre (UK), Belgrade Theatre (UK) and Yellow Earth Theatre (UK). Jules is currently in artist development programmes with KXT and National Theatre of Parramatta, and directing Ten Years To Home with Nautanki Theatre at Riverside Theatres this year. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558497239526-V9M4KC93D7LOR7XUZHOX/20170203_102442.jpg Program - sophie pekbilimli - LIGHTING DESIGNER Sophie Pekbilimli graduated from Newtown High School of the Performing arts in 2010. She spent 4 years as an active member of the technical company designing dance, drama and circus performances. Since then has designed many shows such as When Pigs Fly by Aerialize theatre in 2010.; The Promise by students from EORA college in 2010.;in 2012 and 2014 the Pacific Opera The Deluded Bridegroom / Highlights from La Boheme and the Gondoliers. In 2015 she joined Lennon Through A Glass Onion as their lighting designer and has travelled all over the world with them to places like the UK, Canada and Japan. Last year she designed well known artist Agatha Gothe-Snapes Rhetorical Chorus during the Liveworks festival in 2017. In 2018 she designed You & Me and Puss in Boots both presented by City Recital Hall and The House of Sand’s production of Revolt. She said. Revolt Again. by Alice Birch, Air by Joanna Erskine, Lie With Me by Liz Hobart, Pramkicker by Sadie Hasler, Dancing with Drip Poles by Serena Weatherall, and The Caretaker by Throwing Shade Productions,. This year she designed Salt by The House That Dan Built and The Divorce Party by Liz Hobart. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558419942565-5HP7UYJKKZ2WCB5OA7FA/TheaterplakatBlut.jpg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417835800-YCGC9289B78WS5S4IWZ8/59748600_1059385664185618_5872226432670760960_n.jpg Program - brendan miles - BUTCHER A graduate of ACTT, over the last few years Brendan has worked with some of the leading independent theatre companies in Sydney: namely Tooth and Sinew (Scenes from an Execution; Year of the Family) and Mad March Hare (Shivered). In the last year he has worked with Company of Rogues (Boy Out Of The Country) and with the New Theatre on Stupid Fucking Bird, which was awarded Best Independent Production at the Sydney Theatre Awards. Just recently Brendan performed Leonato in Bar’d Work's sellout season of Much Ado About Nothing. Brendan has also had numerous roles on TV with appearances in Love Child; Not the Boy Next Door - The Peter Allen Story; A Place to Call Home; Frayed and Doctor Doctor. Brendan will be also appearing in upcoming productions Les Norton (ABC) as well as Table (White Box Theatre). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417781701-Y4B4AOPYDXCXDPJJ5Z3L/58377795_1048512328606285_3047008013492682752_n.jpg Program - DEBORAH GAlanos - DEAD SOLDIER’S WIFE Deborah is a graduate of the National Institute of Dramatic Art (NIDA), and University of Sydney. She has worked with most theatre companies including Sydney Theatre Company, Queensland Theatre Company, Belvoir, State Theatre Company of South Australia, Darlinghurst Theatre Company, Ensemble Theatre, Sport For Jove, Redline Productions/Old Fitz, Apocalypse and spent years touring various shows around Australia. Deborah’s television credits include Street Smart, Pulse, Camp, Redfern Now, Rake, My Place, Children’s Hospital, Police Rescue, All Saints, A Country Practice, Home & Away, GP, Murder Call. Her film credits include Cavity, Inside Out, The Premonition, Razzle Dazzle, Balls, No Worries, Boys From the Bush. Deborah’s theatre credits include Metamorphoses, The Seagull, Romeo & Juliet, The Mystery Of Love & Sex, Who’s Afraid Of Virginia Woolf?, Antigone, Dropped, Unfinished Works, The House Of Ramon Iglesia, The Plot, The God Committee, Greek Tragedy, Mum’s the Word, Hotel Hibiscus, The Shearston Shift, The Heartbreak Kid, The Mandrake, Boswell for the Defence, and A Kind of Alaska. Deborah received Sydney Theatre Awards Best Supporting Actress nominations in 2015 and 2016 for her role of Dolores in The House of Ramon Iglesia and for her work in Sport For Jove’s acclaimed Antigone, and was in the multi-award winning 2018 production Metamorphoses. Deborah stars in the newly released Australian film Chasing Comets, and recently returned from Geordie Brookman’s acclaimed world premier for State Theatre Company of South Australia, Gods Of Strangers. In May this year, Deborah performed in Lady Tabouli for Griffin Theatre’s Batch Festival. Deborah is a proud Equity Platinum Member of MEAA since 1990. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664551172-U19KOIYF3WAL8Q65Z6Q2/IMG_0099.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664778530-833NE27GWRMG2TXS7Q0L/MB+Cat%27s+Neck-1695.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664779980-CSKWMPSJ1B1BFTUQ425O/MB+Cat%27s+Neck-1779.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664781972-MCIMEUOC91SUU9UKZZ2R/MB+Cat%27s+Neck--10.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664783433-6CX0YXFEK4F5JYEZ6SWH/MB+Cat%27s+Neck-1665.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664786916-9HYU3PO0T3WJ3GVPKN9L/MB+Cat%27s+Neck--4.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664793471-TGJGDBCCLR66JH255V0T/MB+Cat%27s+Neck--9.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664802716-ULGFOUOVH57AGFC8O6TW/MB+Cat%27s+Neck-1717.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664810688-95L6MOZ1OCLASD6EH8I5/MB+Cat%27s+Neck-1684.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664922670-XKURZ9W8IT3JPX44HQ0F/IMG_0097.jpeg Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558417800019-1I520IF5WOEGTEA41L9V/58670502_1053413048116213_6847004921611419648_n.jpg Program - emma kew - GIRL Emma graduated from the National Institute of Dramatic Arts in 2018 with a BFA (Acting). Her NIDA credits include the role of Dot in Carking It, Kate in The Removalists, Margery Pinchwife in The Country Wife, Mrs Putnam in Salem and performed in the ensemble in All That Glitters. While at NIDA, Emma received the Hazel Treweek Shakespeare award for excellence in classical theatre. Most recently Emma featured in JackRabbit's production of Leopardskin at the KXT. She is very excited by what the indie theatre scene in Sydney is producing and is thrilled to be working on this new production. https://www.montaguebasement.com/theban-dolls daily 0.75 2019-10-30 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572406184420-U2PJE7RSURI34KVZHF6R/THEBAN++++++DOLLS++copy.png Theban Dolls https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407357984-D287D51KVV3TWM5XIVJZ/VCA_Show6_MG_2694.jpg Theban Dolls https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407235110-28T8X06UL05DVO7UPF6K/VCA_Show6_MG_2965.jpg Theban Dolls https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407235109-3Z18QGCEAPPKG0PAMVER/VCA_Show6_MG_3135.jpg Theban Dolls https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1572407297377-Y492Y59ECU4WD6QJHTZ7/VCA_Show6_MG_2934.jpg Theban Dolls 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https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/71e698dc-bdd0-4066-8d80-ef8c93f0caeb/Sheanna+Russon.jpg https://www.montaguebasement.com/creatures daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/262f0b59-b1fb-4238-96ab-9313964c8b45/Gemma+Hudson.jpg Creatures - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/262f0b59-b1fb-4238-96ab-9313964c8b45/Gemma+Hudson.jpg https://www.montaguebasement.com/mary daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/72ccc92b-7d4d-4fc4-81ac-bd42c8fd9f9c/_MG_0760-Edit.jpg Mary Against The Invisible Machine - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/72ccc92b-7d4d-4fc4-81ac-bd42c8fd9f9c/_MG_0760-Edit.jpg https://www.montaguebasement.com/livingspace daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/9deff99d-c7fc-495e-9091-c340b3b3feb8/1000035356.jpg https://www.montaguebasement.com/wax daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/579a5063-41d6-45d4-8e42-c928643ee71d/Lisa+Headshot+%281%29.jpg WAX. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/579a5063-41d6-45d4-8e42-c928643ee71d/Lisa+Headshot+%281%29.jpg https://www.montaguebasement.com/cocoon daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/62374e68-0761-4335-83e7-ebd55b2b3ddd/IMG_2857.jpg COCOON - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/62374e68-0761-4335-83e7-ebd55b2b3ddd/IMG_2857.jpg https://www.montaguebasement.com/cities-of-the-plain daily 0.75 2025-05-16 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/c57d001c-de01-4649-b2f7-f97b9326030a/LachP+headshot.jpg City of the Plain - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/c57d001c-de01-4649-b2f7-f97b9326030a/LachP+headshot.jpg https://www.montaguebasement.com/the-lab-report-2025-1 daily 0.75 2025-05-14 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1587344885855-HLQWA7VXVX24ZA2WF24Z/thelaboratory.jpg The Lab Report 2025 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/62374e68-0761-4335-83e7-ebd55b2b3ddd/IMG_2857.jpg The Lab Report 2025 - Make it stand out COCOON by Robbie Wardough Sunday May 18th 4:30pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/579a5063-41d6-45d4-8e42-c928643ee71d/Lisa+Headshot+%281%29.jpg The Lab Report 2025 WAX. by Lisa Kelly Sunday May 18th 2:30pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/72ccc92b-7d4d-4fc4-81ac-bd42c8fd9f9c/_MG_0760-Edit.jpg The Lab Report 2025 Mary VS The Invisible Machine by Jordyn Fulcher Saturday May 17th 6:30pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/71e698dc-bdd0-4066-8d80-ef8c93f0caeb/Sheanna+Russon.jpg The Lab Report 2025 Afterglow by Sheanna Russon Saturday May 17th 2:30pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/c57d001c-de01-4649-b2f7-f97b9326030a/LachP+headshot.jpg The Lab Report 2025 Cities of the Plain by Lachlan Parry Sunday May 18th May 6:30pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/262f0b59-b1fb-4238-96ab-9313964c8b45/Gemma+Hudson.jpg The Lab Report 2025 Creatures by Gemma Hudson Saturday May 17th 4pm https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/72ccc92b-7d4d-4fc4-81ac-bd42c8fd9f9c/_MG_0760-Edit.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/62374e68-0761-4335-83e7-ebd55b2b3ddd/IMG_2857.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/c57d001c-de01-4649-b2f7-f97b9326030a/LachP+headshot.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/71e698dc-bdd0-4066-8d80-ef8c93f0caeb/Sheanna+Russon.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/9deff99d-c7fc-495e-9091-c340b3b3feb8/1000035356.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1587344885855-HLQWA7VXVX24ZA2WF24Z/thelaboratory.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/262f0b59-b1fb-4238-96ab-9313964c8b45/Gemma+Hudson.jpg https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/579a5063-41d6-45d4-8e42-c928643ee71d/Lisa+Headshot+%281%29.jpg https://www.montaguebasement.com/the-great-australian-play-program-old-fitz daily 0.75 2025-05-21 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/8781f361-bcda-4620-82d3-7a82f2726495/gaptt.png https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/e4f783dd-1451-49e8-8131-5123bda2feb5/logiesarticle.png The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/b020c7ed-8629-4271-9ac3-e5fbdf177922/Screen+Shot+2022-09-12+at+11.02.33+am.png The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/4411c675-e269-4c28-93e3-c9141b6c39ec/Screen+Shot+2022-09-12+at+10.28.33+am.png The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/15f16b60-c6ba-4575-b639-dee4c8435ce1/Kate+Baldwin.jpg The Great Australian Play Program - Old Fitz - KATE BALDWIN - LIGHTING DESIGNER Kate Baldwin is an emerging Japanese-Australian Lighting Designer, who lives and works on the lands of the Gadigal and Wangal people of the Eora Nation. She is a Design Associate at Sydney Theatre Company. Since graduating from NIDA in 2019, some of her credits as Lighting Designer include; Nothing (National Theatre of Parramatta), Tom at the Farm (KXT), Albion (New Ghosts Theatre Company, Secret House & Seymour Centre), Top Coat (Sydney Theatre Company), The Box Show (Critical Stages Touring & Junkyard Beats), Guards at the Taj (National Theatre of Parramatta), Chewing Gum Dreams (Green Door Theatre Company and Red Line Productions), seven methods of killing kylie jenner (Darlinghurst Theatre Company and Green Door Theatre Company), Ching Chong Chinaman (Slanted Theatre), and House at Boundary Road, Liverpool (Bontom). She was also Design Associate (Lighting) for Death of a Salesman (Sydney Theatre Company). She is also a part of developing Salt Baby (Ka-llective), which had a residency with PACT in 2021. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/8445f4c9-92db-4c0f-804d-ca80c162eb45/Rachel+HShot.jpg The Great Australian Play Program - Old Fitz - RACHEL SEETO - ASH Rachel is a multidisciplinary artist, actor, and graduate from the National Art School. Her practice unravels memory, time, our relationship to place, and seeks to explore what lies between plain sight. When she’s not creating with her hands, she’s creating for the stage with recent credits including Moon Rabbit Rising (Little Eggs Collective), Too Human (NIDA Festival), CODE, We Regret To Inform You That (Short+Sweet) and Dumb Kids (KXT). She has also been involved in developments and readings such as The Lab Report (Montague Basement/KXT), Intersection: Unleashed, Fresh Ink (ATYP) and Girl Running, Boy Falling (KXT Storytellers). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/e92c98d5-dec3-447b-aa62-585c54b53ccc/Rachael+Adamson.jpg The Great Australian Play Program - Old Fitz - RACHAEL ADAMSON - ASSOCIATE PRODUCER Rachael Adamson is a young Sydney producer and UNSW student with credits both within NUTS and the independent Sydney theatre scene. Her recent credits include associate producing Tom at the Farm at KXT (2022), and The Pass at the Seymour Centre (2021) both with Fixed Foot Productions, producing Arsenic & Old Lace for NUTS (2022), producing Dancing with Drip Poles with Eye Contact Theatre and Temporary with Lateral Productions for Flight Path Theatre (2021, cancelled), producing Rossum’s Universal Robots for NUTS (2021), assistant producing & stage managing Gritty In Pink for Sydney Fringe Festival (2019) and developing, producing and co-directing the original concept online show Is This On? (2020). Rachael’s design credits include graphic design for Sydney Fringe Festival's Is This Thing On? (2021, cancelled), the Sonic Sydney audio project (2020) and various freelance graphic design. Her costume design credits include Tom at the Farm, Legally Blonde the musical (2021, cancelled) and Embers (2021, cancelled). Rachael is also currently producing You Stupid Darkness! (NUTS, 2022). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/a2d7b66e-ccd2-4645-b50a-00338062c703/Kim+Ho+Headshot+A.jpg The Great Australian Play Program - Old Fitz - KIM HO - WRITER Kim Ho is a playwright and screenwriter based in Naarm (Melbourne). Their work frequently explores genre subversion, magical realism and moments of uncanny encounter. Kim is a writer on the ABC drama series THE NEWSREADER, which was nominated for an AACTA Award in 2021 for Best Television Screenplay. Kim’s short film THE LANGUAGE OF LOVE screened at over thirty film festivals worldwide, including the 2014 Sundance Film Festival. They also have a number of television projects in development, including their crime-comedy series MELBOURNE VICE. Kim won the 2018 Patrick White Award for their play MIRROR’S EDGE. Their satire THE GREAT AUSTRALIAN PLAY premiered at Theatre Works in 2020 and received Green Room Award nominations for Best Writing and Best Production. Their drama BURIED KINGDOM, co-created with Michelle Ny, received a staged reading at the 2019 Typhoon Festival in London. Kim is currently under commission for Malthouse Theatre to develop a folk horror play, HAVENHOLM. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1e73cd65-5807-4526-b18e-714b44358302/Kate+Beere.jpg The Great Australian Play Program - Old Fitz - KATE BEERE - SET & COSTUME DESIGNER Kate Beere is a costume and set designer working across theatre, film and events. She has a love for creating and collaborating with passionate artists and directors. She enjoys designing spaces that can set the tone and also intertwine cohesively with the work. Kate completed her Masters of Fine Arts (Design for Performance) at NIDA in 2020 and prior to this, completed the BFA (Design for Performance). Kate’s recent design credits include Half Time (Hayes Theatre), This Genuine Moment (Old 505, La Mama), Alibi (or Someplace Else) (Old Fitz Theatre), Significant Other (New Theatre), and Tom at the Farm (KXT). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/e306e668-0a14-40fc-b755-022d3050423e/Kurt+Pimblett+headshot.jpg The Great Australian Play Program - Old Fitz - KURT PIMBLETT - DEM Kurt Pimblett is a queer artist and member of the 2020 graduating company of the Victorian College of the Arts (BFA Acting). Kurt’s stage work includes originating and touring the role of Tom in Hearth (La Mama, 2022), playing Laertes in Because The Night at Malthouse Theatre (2021), Max in Belvoir's award winning production of Hir (2017), and multiple roles in Melbourne Theatre Company’s Cybec Electric readings (2020). He has also appeared in numerous independent theatre productions, including Love You Bitch (Stage Mom, Midsumma 2020), and Cleansed (Montague Basement, Sydney Fringe Festival 2017). Kurt’s screen work includes short film Drainrats (2021), TikTok webseries Scattered (2021), and feature film In The Meantime (due for release in 2023). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/fcc02ff2-6004-46c1-9d6e-4d9156805dc6/291789953_3711439808980177_1403687270135387833_n.jpg The Great Australian Play Program - Old Fitz - IMOGEN GARDAM - PRODUCER Imogen Gardam is co-founder and co-director of Montague Basement, producing the group's 18 productions since formation in 2014. She is the Senior Producer at Griffin Theatre Company and has worked in theatre and film for Bell Shakespeare, Hopscotch Features, Entertainment One Australia and The Festivalists. Imogen is a graduate of Media and Communications from the University of Sydney and is currently completing a Masters of Research in Film Studies. She is also one half of independent company FERVOUR., most commonly found on producing duties. Imogen was the 2018 winner of the Rose Byrne Scholarship for an Emerging Female Leader in the Arts, and served on the Board and as Deputy Chair for Theatre Network NSW from 2018-2020. Imogen has been published in Lumina Journal, Audrey Journal, Honi Soit and on Four Three Film. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/a9f1208b-7709-4cba-8f51-129ec6a9c4d9/Lucinda+Howes+Headshot+2.jpg The Great Australian Play Program - Old Fitz - LUCINDA HOWES - GEB Lucinda Howes completed WAAPA’s three-year acting program in 2019. Despite graduating into a COVID filled 2020, she has been lucky enough to perform in multiple productions in the past two years. In 2021, she appeared in ‘Twelfth Night’ (New Theatre) ‘Videotape’ (KXT, Montague Basement) and ‘Fuente Ovejuna!’(Dream Plane Productions). In 2022, Lucinda was part of the principal cast for both 'Attempts on Her Life' (KXT, Montague Basement) and 'Hotel' (NIDA's Festival of Emerging Artists). She performed in Sport For Jove’s HSC Symposium Series in March and will play Nina in Bagryana Popov’s production of ‘The Seagull’ in conjunction with La Mama Theatre later this year. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/8099909f-09f0-4ae5-87a6-d99d197105aa/Idam+Sondhi+Headshot.jpg The Great Australian Play Program - Old Fitz - IDAM SONDHI - ELI Idam Sondhi is an actor and a film/stage enthusiast. He has been in the world of creative arts since the age of eight. Idam grew up in Auckland, New Zealand and has been residing in Sydney for the last three and a half years. Some of his recent theatre credits include U.B.U (Kings Cross Theatre/Tooth and Sinew), Yellow Face (Kings Cross Theatre/Dinosaurus Productions), Much Ado (Flight Path Theatre/Not Model Attractive) and Guards At The Taj (Riverside Theatres/NTofP). Idam can also be seen most recently in mini series Underbelly: Vanishing Act for Nine Network. Idam studied acting and screenwriting at NYFA and Ivana Chubbuck Studios in Los Angeles and Improv Theatre Sydney. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/ca89d2ba-b3ad-41c5-beea-1338102c9fd6/Ma%CC%82y+Tra%CC%82%CC%80n+-+Headshot.jpg The Great Australian Play Program - Old Fitz - MÂY TRÂN Mây Trần is Western Sydney based performer, problematic Gen Z homo, and retired Woolworths employee of Vietnamese descent. Their most recent credits include Cleansed (dir. Dino Dimitriadis) at the Old Fitz Theatre, Hot Mess (dir. Tasha O’Brien) at KXT, and PLAYLIST (dir. Karen Therese) at the Sydney Opera House. They are currently working on their first solo work, Palatable, in partnership with PYT Fairfield. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/e927caab-e1fb-4e71-a7b2-54bfe1fb3963/291324813_3694399604017531_2015541696522638998_n.jpg The Great Australian Play Program - Old Fitz - SARO LUSTY-CAVALLARI - DIRECTOR/VIDEO AND SOUND DESIGNER Saro is a Sydney-based theatre director, playwright and video designer. He is the co-founder and co-director of Montague Basement and a graduate of VCA’s Masters of Directing for Performance. His directing credits include, Videotape (KXT) and Animal Farm (New Theatre) which he also wrote, as well as Sarah Kane’s Cleansed (PACT), Rainer Werner Fassbinder’s Blood On The Cat’s Neck (KXT PopUpstairs) and Martin Crimp’s Attempts On Her Life (KXT). He has interned with some of Australia’s leading directors including Peter Evans, Leticia Cáceres and Eamon Flack. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/85a1b9bd-ba4f-45d4-ad35-258fac1b145c/Serena+Pollock.jpg The Great Australian Play Program - Old Fitz - SERENA POLLOCK - DESIGN ASSISTANT Serena Pollock is a Sydney based designer and collaborator with a background in movement-based theatrical works. Undergoing studies in Design at the National Institute of Dramatic Art (NIDA), she has assisted on such productions as Eat Me (NIDA), God's Country (NIDA), and most recently Channel 10’s "The Masked Singer". Serena has a passion for supporting independent theatre within Sydney, especially new works with a diverse range of theatrical story-telling. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/abed3320-acfe-4ef3-a7ee-c9ab8c4a9352/Justice+Georgopoulos+Headshot.jpg The Great Australian Play Program - Old Fitz - JUSTICE GEORGOPOULOS - STAGE MANAGER Justice holds a Diploma of Theatre Media from Charles Sturt University and is currently studying a Bachelor of Theatre Making at the University of Wollongong. He has stage managed several amateur and University productions, but The Great Australian Play marks his industry debu https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384609092-3HS2Z97SLO1URUCXIWV1/_A2A5890.jpg The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384602574-5030380ISM2CHZNGSVZ6/_A2A6062.jpg The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384602215-NGL4ZGJORU5A06AYZU4V/_A2A6141.jpg The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384590888-ZFMBDWL7LG03VXVIFHA5/_A2A6182.jpg The Great Australian Play Program - Old Fitz https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1663384591247-S0E87R9FFKY7SHHSP1H4/_A2A6274.jpg The Great Australian Play Program - Old Fitz 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Program - SOPHIE PEKBILIMLI - LIGHTING DESIGNER Sophie Pekbilimli graduated from Newtown High School of the Performing arts in 2010. She spent 4 years as an active member of the technical company designing dance, drama and circus performances. Since then she has designed lighting for many shows including for the Arts Unit, the Pacific Opera, the City Recital Hall, House of Sand, Brave New World, Montague Basement, The House that Dan Built, Joining the Dots Theatre Company, Liveworks and Agatha Gothe-Snape, and worked as lighting designer on Lennon Through A Glass Onion's international tour. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058163144-M124NY7A9X9EUSJ7836E/laurahvs.jpg Videotape Program - LAURA DJANEGARA - PERFORMER Laura grew up in Perth with a passion for performing. Laura completed a BMus majoring in Classical Voice in 2012 at the Western Australian Academy of Performing Arts (WAAPA). At WAAPA, she performed in the operas Die Fledermaus and The Rake’s Progress, and was nominated for the Julie Michael Award for Musical Cabaret. Laura completed a BFA in Acting from the National Institute of Dramatic Art (NIDA) in 2016. At NIDA, she performed in The Roaring Girl, Stranger I Am, The Olympians and The Space Between the Fire and the Fuel. She was most recently seen in Time Stands Still (Eclipse Productions), Visiting Hours (KXT bakehouse), Macbeth (Bell Shakespeare) and Animal Farm (New Theatre). This is her second show with Montague Basement, having previously worked with them on Blood on the Cat's Neck. She is excited to work with such a beautiful team https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058258908-0SI72KIP82NQ2PL0T0O5/jakevhs.jpg Videotape Program - JAKE FRYER-HORNSBY - PERFORMER Jake is an actor and theatre maker originally from regional Western Australia. Jake started acting after relocating to the U.S in his late teens. Jake then studied at the Western Australian Academy of Performing Arts before making his way to Sydney. Since then, Jake has gone on to work in and around different theatres across the country including Black Swan State Theatre Company, The Australian Shakespeare Company and Bell Shakespeare. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058133088-WWX27WLLTBCOF0NSPLV0/gracevhs.jpg Videotape Program - GRACE DEACON - SET & COSTUME DESIGNER Grace is an emerging production and costume designer working across theatre, film and television. Grace is a graduate of the National Institute of Dramatic Art (BFA and MFA Design for Performance). In her time at NIDA, Grace collaborated with some of Australia’s leading theatre directors, including Judy Davis and Kate Champion. Grace has been awarded the William Fletcher Foundation Scholarship and Peter Ivany Scholarship for Excellence in Design. Grace’s recent design credits include: The Great and Powerful Oz(zie) (The Old 505), Australian Open (KXT), This Bitter Earth (Midsumma Festival / Theatre Works), Vogue 60th Anniversary Event, 3 Moons (Music Video), Distant Places (Music Video), God of Carnage and We Are Gods (NIDA), Meat Eaters (NIDA) and Blood On The Cat’s Neck (Montague Basement, KXT). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058370692-FI5N8JEUZCIEOO0Q1V0K/sarovhs.jpg Videotape Program - SARO LUSTY-CAVALLARI - WRITER/DIRECTOR/VIDEO AND SOUND DESIGNER Saro is the co-director and co-founder of Montague Basement. For Montague Basement he has written, directed and designed including Procne & Tereus (Sydney Fringe 2014), All About Medea (2015), The Big Bruise (107 Projects 2016), Cleansed (2017). He was the Directorial Secondment for Bell Shakespeare’s Richard 3 (2017). He is currently completing a Masters of Directing for Performance at VCA and made his Melbourne directorial debut with The Public Domain Opera at The Butterfly Club for the 2018 Melbourne Fringe. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058093315-91GTWQK6IFZSOLX8A0YI/christianvhs.jpg Videotape Program - CHRISTIAN BYERS - DRAMATURG/CAMERA OPERATOR Christian Byers is an Australian filmmaker and actor. Having worked in film from a young age with leading roles in the Australian films Opal Dream (2006), December Boys (2007), Hey Hey It's Esther Blueburger and The Tree (2010), Christian has continued to establish himself as one of the most exciting figures in new Australian cinema, going on to such credits as Kettle (2012), Puberty Blues (2013), Ready For This (2015) and Friday On my Mind (2017) in which he played Australian music icon Stevie Wright. His theatre credits include Procne & Tereus (2014), All About Medea (2015) and Hamlet, all of which with Montague Basement. As a filmmaker, amongst several other longform non-fiction projects, Christian is in post production on a documentary hybrid feature film entitled Death of an Undertaker, a dark comedy set during the leadup to Easter 2020 following the final days of Michele Salamone, an Italian-Australian funeral director in Sydney’s Leichhardt, during at the onset of a global pandemic. The film will consist of both observational footage and fictionalized material and will be completed in late 2021. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058202897-I2SG5N6LDXLVUZWCT9MN/imogenvhs.jpg Videotape Program - IMOGEN GARDAM - PRODUCER Imogen is the co-director of Montague Basement, which she co-founded in 2014, producing the group's seventeen productions since formation. She is the Associate Producer, Programming at Griffin Theatre Company. Prior to joining Griffin in 2019, Imogen worked at Bell Shakespeare as Executive Assistant and Artistic Administrator from 2015. Imogen is a graduate of Media and Communications from the University of Sydney, and has previously worked for Hopscotch Features, Entertainment One Australia and The Festivalists. Imogen was the 2018 winner of the Rose Byrne Scholarship for an Emerging Female Leader in the Arts, and was a Board Director for Theatre Network NSW from 2018 - 2020. Imogen has been published in Lumina Journal, Audrey Journal, Honi Soit and on Four Three Film. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058292242-V53KNSMDHID17FSOR43W/clairevhs.jpg Videotape Program - CLAIRE FERGUSON - STAGE MANAGER Claire graduated Charles Sturt University with a Bachelor of Communications (Theatre/Media) in 2017. Since then, she has worked as Stage Manager in the Sydney independent theatre scene as well as a Touring Stage Manager in the UK. Stage Management Credits include You Got Older (Mad March Hare), Whose Uterus is it Anyway? (Bite Productions), Boy Out of the Country (Company of Rogues), Girl in the Machine by Stef Smith (National Theatre of Parramatta), SLUG (Visible Fictions UK), Animal Farm (The New Theatre) and The Great and Powerful Ozzie (Miranda Middleton). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612058337057-YV316KMY0TCPQUJWDBFX/luluvhs.jpg Videotape Program - LUCINDA HOWES - PERFORMER Lucinda Howes is a Sydney-based actor who completed her three years of training at The Western Australian Academy of Performing Arts. She has been performing in Sydney‘s independent theatre scene since 2014. Previous Montague Basement productions include Procne & Tereus, Hamlet, Macbeth, All About Medea’, Metamorphoses and Nosferatu: A Fractured Symphony. WAAPA credits include Tecmessa in Ajax in Afghanistan, Benvolio in Romeo and Juliet and Lady Cheveley in An Ideal Husband. In 2020, Lucinda played Nina in Bagryana Popov’s development of The Seagull in conjunction with La Mama Theatre and La Trobe University. In 2021, she performed in Virginia Plane’s production of Twelfth Night at the New Theatre and will perform in Fuente Ovejuna! (Dream Plane Productions) at Flightpath Theatre and Hot Mess (The General Public) at KXT. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139253474-VP8S14UM6OP35790WOS5/Videotape-5610.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139263966-6EQNWPI9WQ04BXLICHQ5/Videotape-5716.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139280455-PUP2ITLHG3BGN7R5LU6H/Videotape-5797.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139290820-U01W7TUYI2Y9A5HAS7L9/Videotape-5858.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139298008-XQN0XBS4J25ICU1V09HJ/Videotape-5844.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139305777-GZRV64O8RQ70JRPO3FZI/Videotape-5965.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139314436-NKYDEX9PZPBHMBILCUVL/Videotape-5969.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139330739-N8NAUF2G0PUS79LVG6IK/Videotape-6020.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139348568-NGU1GUCB9CH25HP58X5U/Videotape-5648.jpg Videotape Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1612139357728-EPFW9MALTBUWBQ8ZRKZW/Videotape-5634.jpg Videotape Program https://www.montaguebasement.com/blood-on-the-cats-neck daily 0.75 2025-05-21 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558169112684-PZGSKIAVN6PC7XCMJEVP/compressedtt.png Blood On The Cat's Neck BY https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560434472-78DYIHH9C75F4FIXRQZH/MB+Cat%27s+Neck--16.jpg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560560190-AMV7J0FVA4RYGPQ0LCK9/MB+Cat%27s+Neck-1665.jpg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664779980-CSKWMPSJ1B1BFTUQ425O/MB+Cat%27s+Neck-1779.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664781972-MCIMEUOC91SUU9UKZZ2R/MB+Cat%27s+Neck--10.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664793471-TGJGDBCCLR66JH255V0T/MB+Cat%27s+Neck--9.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664786916-9HYU3PO0T3WJ3GVPKN9L/MB+Cat%27s+Neck--4.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664802716-ULGFOUOVH57AGFC8O6TW/MB+Cat%27s+Neck-1717.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664922670-XKURZ9W8IT3JPX44HQ0F/IMG_0097.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1558664810688-95L6MOZ1OCLASD6EH8I5/MB+Cat%27s+Neck-1684.jpeg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560345074-2DERXT9WSARWZ0A97311/MB+Cat%27s+Neck-1695.jpg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560399863-OPWV1IVI0EMAW0S78KEW/MB+Cat%27s+Neck-1922.jpg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560433251-WAVA5YBVCJJI5CVDABKS/MB+Cat%27s+Neck--19.jpg Blood On The Cat's Neck https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1559560546365-54JLD0HV2TLNAKPZO62E/MB+Cat%27s+Neck-1934.jpg Blood On The Cat's Neck https://www.montaguebasement.com/attemptsprogram daily 0.75 2025-05-21 https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/36ff114f-9c7d-4324-9b7f-108611ac31da/attemptstt+with+crimp.png Attempts On Her Life Program BY https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/817618ea-e7cc-407c-a242-9785e48b83b4/289016169_3668520329938792_1231990438779603442_n.jpg Attempts On Her Life Program - JOSEPHINE LEE - PERFORMER Josephine Lee is a multidisciplinary artist and audio producer who aspires to combine her passion of theatre, sound design, film making, and science within her storytelling. She aims to create thought-provoking works that speak to the hearts of diverse communities in Australia and to enhance science communication. Throughout her career she’s worked as a director, actor, producer, sound designer, flyers and lighting technician assistant and in other behind the scenes roles. Her acting credits include As You Like It (Sport for Jove Theatre Company) Julius Caesar (Little Spirits Theatre Company), That Venezuelan Place (Sydney University Dramatic Society), Shakeflix and A Time of Change (Sport for Jove Second Age Project). Her producing credits include Short and Curly Bites (ABC), Midsummer Madness, Things I Know To Be True (Sydney University Dramatic Society). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/b610faea-a7ce-4538-ad70-dce1aa6d6e1c/289632838_3684666901657468_5247340623022476082_n.jpg Attempts On Her Life Program - EBONY TUCKER - PERFORMER Ebony Tucker was born and raised in Victoria on Boon Wurrung land. She has recently obtained a BFA in Acting from NIDA, her credits while training include; Maria/Marge in 'Mr. Burns: A Post-Electric Play' (dir. Alex Berlarge), 'Perfect Stranger' by Hilary Bell (dir. Kate Champion), Catherine in 'A View from the Bridge' (dir. Ed Wightman), Helena in 'A Midsummer Nights Dream' (dir. Sean Stewart), and Varya in ‘The Cherry Orchard’ (dir. Jeremy James.) Ebony most recently appeared at Bondi Festival in ‘Cool Pool Party : The Second’ (dir. Antoinette Barbouttis). While still in Victoria Ebony studied Classical Text as a Graduate player at The Australian Shakespeare Company, touring domestically, before heading to Prague in 'The Comedy of Errors' (dir. Kevin Hopkins). Ebony is also an established Voice Over artist, and a member of the MEAA. She would like to acknowledge and thank the Gadigal people of the Eora Nation for allowing us to story tell and create on their land. Always was, always will be. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/ee63f527-82dd-48f3-b462-db2c6170c616/291430476_3703990569725101_6583283070861717822_n.jpg Attempts On Her Life Program - CLAIRE FERGUSON - PRODUCER Claire Ferguson was born at a very young age and grew up to be a Sydney-based stage manager, writer and producer. She graduated from Charles Sturt University with a Bachelor of Communications (Theatre/Media) in 2017. Since then, she has worked for companies such as Sport for Jove, National Theatre of Parramatta, Gilded Balloon (UK), Visible Fictions (UK), Opera Australia, Griffin Lookout and Pinchgut Opera. After stage managing for Montague Basement previously, Claire now joins the team as a producer. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/ef77e9db-f98a-4d23-9aac-62e07b655ec2/290912331_3699356210188537_8462453219408371038_n.jpg Attempts On Her Life Program - PERSEPHONE HITZKE-DEAN - ASSISTANT DIRECTOR Graduating from QUT’s Fine Arts (Drama) degree in 2018, Persephone worked across Brisbane including assistant directing and stage managing Cluedo! The Interactive Game with Brisbane Immersive Ensemble, assistant directing House of Mirrors and Hearts with Kleva Hive, producing Contact with Cycles in Sync for Anywhere Festival, and interning with Playlab Theatre. Moving to Sydney in mid-2019 she worked for Sydney Theatre Company and the Australian Chamber Orchestra across both Box Office and Development. In 2022 she has worked with Belvoir, Sydney Festival, and Sydney Writers' Festival in ticketing, in addition to working with Phoenix Central Park as Stage Manager, and assistant directing Attempts On Her Life with Montague Basement. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/fcca1a9b-65fa-41a7-8d56-8af870091d01/287192308_3650066231784202_8557542389061772393_n.jpg Attempts On Her Life Program - LUCINDA HOWES - PERFORMER Lucinda Howes has been performing in the Sydney theatre scene since 2014. She completed WAAPA’s three-year acting program in 2019, and despite graduating into a COVID filled 2020, has been lucky enough to perform in multiple productions in the past two years. In 2021, she appeared in ‘Twelfth Night’ (New Theatre) ‘Videotape’ (KXT, Montague Basement) and ‘Fuente Ovejuna!’(Dream Plane Productions). In 2022, she will play Nina in Bagryana Popov’s production of ‘The Seagull’ with La Mama Theatre in Melbourne and is performing in Sport For Jove’s HSC Shakespeare Symposium Series throughout the year. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/158c6ae8-657d-4472-9abf-a144707a6290/guk-martincrimp-400px.jpg Attempts On Her Life Program - MARTIN CRIMP - PLAYWRIGHT Martin Crimp was born in 1956. His plays include Three Attempted Acts (1985), Dealing with Clair (1988), Play with Repeats (1989), No One Sees the Video (1991), Getting Attention (1992), The Treatment (1993, winner of the John Whiting Award), Attempts on her Life (1997) and The Country (2000). He has translated or adapted work by Ionesco ( The Chairs, 1997), Genet ( The Maids, 1999) and Moliere ( The Misanthrope, 1996).His work in the UK has been produced by the Orange Tree Theatre, the West Yorkshire Playhouse, the Stephen Joseph Theatre, the RSC, the Young Vic and the Royal Court, where he was writer-in-residence in 1997. In New York his work has been seen at the Public Theater and the Classic Stage Company, as well as on Broadway. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/e927caab-e1fb-4e71-a7b2-54bfe1fb3963/291324813_3694399604017531_2015541696522638998_n.jpg Attempts On Her Life Program - SARO LUSTY-CAVALLARI - DIRECTOR/VIDEO AND SOUND DESIGNER Saro is a Sydney-based theatre director, the co-founder and co-director of Montague Basement and a graduate of VCA’s Masters of Directing for Performance. His independent work in Sydney includes Videotape (KXT), Sarah Kane’s Cleansed (PACT), Nosferatu: A Fractured Symphony (Old 505) and Animal Farm (New Theatre). He will direct The Great Australian Play by Kim Ho for Red Line Productions at the Old Fitz in 2022. He has interned with some of Australia’s leading directors including Peter Evans, Leticia Cáceres and Eamon Flack. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/fcc02ff2-6004-46c1-9d6e-4d9156805dc6/291789953_3711439808980177_1403687270135387833_n.jpg Attempts On Her Life Program - IMOGEN GARDAM - PRODUCER Imogen Gardam is co-founder and co-director of Montague Basement, producing the group's 18 productions since formation in 2014. She is the Senior Producer at Griffin Theatre Company and has worked in theatre and film for Bell Shakespeare, Hopscotch Features, Entertainment One Australia and The Festivalists. Imogen is a graduate of Media and Communications from the University of Sydney and is currently completing a Masters of Research in Film Studies. She is also one half of independent company FERVOUR., most commonly found on producing duties. Imogen was the 2018 winner of the Rose Byrne Scholarship for an Emerging Female Leader in the Arts, and served on the Board and as Deputy Chair for Theatre Network NSW from 2018-2020. Imogen has been published in Lumina Journal, Audrey Journal, Honi Soit and on Four Three Film. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/bba67b8c-88a8-4ea9-a7a1-353a88025c90/284846989_3614150545375771_5852543177760605158_n.jpg Attempts On Her Life Program - LUCY BURKE - PERFORMER Lucy is a recent graduate from the Actors' Centre Australia. Whilst at ACA, Lucy’s roles have included Hamlet in Hamlet (dir. Anthony Skuse), Agamemnon and Professor in The Iphigenia Quartet (dir. Claudia Barrie), Betty Four in Collective Rage: A Play in Five Betties (dir. Troy Harrison), Olga in Three Sisters (dir. Sam Trotman) and Alice in Closer (dir. Sammy Jing at NIDA/ACA collaborative project). Lucy also directed A Mouthful of Birds as part of the ACA self-generated project. Prior to this, she was a part of Cleansed and Nosferatu (both Montague Basement, dir. Saro Lusty-Cavallari). She also performed in many shows for the Sydney University Dramatic Society (SUDS): some of her roles including Nina in The Seagull (dir. Victor Kalka) and Jessica in The Merchant of Venice (dir. Peter Walsh & Clare Cavanagh), while also featuring in The Sydney University Womens’ Revue (Sydney Comedy Festival) and The Sydney University Arts Revue (Seymour Centre). As well as a performer, Lucy is a keen writer, singer and director with a passion for devising theatrical works https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/b78bca5d-0b0c-4d5b-8307-ef0c77a428fb/292388870_3716172761840215_2591184986768548970_n.jpg Attempts On Her Life Program - RITA NAIDU - SET AND COSTUME DESIGNER Rita is a multidisciplinary designer working in Production Design for stage, screen and styling. Graduating with a Bachelor of Industrial Design (Honours) in 2019 from Western Sydney University; majoring in design-led innovation and management, Rita has always been drawn towards uniqueness and finds excitement in learning what makes something different and special. In 2020, Rita completed the MFA Design for Performance at NIDA, specialising in Costume Design. Rita designed costumes for A Pox on Both Your Houses (NIDA Digital Theatre Festival) and When the Rain Stops Falling (NIDA Season 2 Productions). During her industry placement, she assisted Costume Designer; Mel Page, for Stop Girl (Belvoir St Theatre). At the end of 2021, she was invited back to NIDA as the guest designer for the graduating actors’ Showcase. Recently, she was chosen for Riverside’s National Theatre of Parramatta Creative Futures Program as the Assistant Production Designer to James Browne for Guards at the Taj. Rita is currently designing Attempts on her Life (Kings Cross Theatre). Empathy is a core value in the way Rita engages in her relationships. She is always eager to collaborate and work across diverse genres, styles and communities. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/7dd82cdf-50f6-4f36-aece-2f3453543dbd/286898139_3637825073008318_4388782622585916931_n.jpg Attempts On Her Life Program - BRIDGET HABERECHT - PERFORMER Bridget Haberecht is a recent addition to Australian stages, after fleeing New York last year. She received MFA (Acting) from Harvard University (American Repertory Theatre) in 2018, where her roles included Emily in Our Town, Macduff in Macbeth and, career-highlight, ‘Goose’ in Charlotte’s Webb. She also spent four months in Russia studying at the Moscow Art Theatre School, where she played Nina in The Seagull. Other credits include: Much Ado About Nothing, Antigone (Staten Island Shakespeare Company); Little Women (Merrimack Repertory Theatre); Mary Rose: The Girl Who Died Twice (Soho Shakespeare Company); An Evening With John Wayne Gacy Jr. (Infinite Abyss Productions); Making Porn: 25th Anniversary Production (Wilton Theatre Factory); 57 Carnations (Fresh Fruit Queer Play Festival). They were a founding member and dramaturg of The Journalists theatre collective in New York and made their Australian theatre debut at The New Theatre earlier this year in Breaking the Code (dir. Anthony Skuse). Bridget is a proud member of MEAA. She would like the acknowledge she lives on the stolen land of the Gadigal people. https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/82f64c6e-5925-4196-b530-de2a824b0c41/292694956_3727068194084005_4923297023876464448_n.jpg Attempts On Her Life Program - SAMMY READ - LIGHTING DESIGNER Sammy Read is a production designer & visual artist based in NSW. Graduating from the University of Wollongong with a Bachelor of Creative Arts (Theatre) in 2018, Sammy works as a lighting designer, production manager and visual artist. As a designer, Sammy is interested in intimate spectacle, a style characteristic he carries through all creative work in both his theatre and visual arts practices. Recent Lighting Design includes FLEDGLING (KXT, 2022), TEMPLE (PACT, 2022), STONE(Wagga Regional Art Gallery, 2019), THE GREAT ATTRACTOR NO. 3 (De Quincey Co. 2019). Lighting realisation includes THE RIVOLI (2022 Regional Tour), DOUBLE DELICIOUS (2022 Regional Tour), WHEREVER SHE WANDERS-Lighting Associate (Griffin Theatre Co, 2021). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/a7f346f9-13f7-4676-a41d-034d9d418daf/293637315_3723985257725632_6131965927181294646_n.jpg Attempts On Her Life Program - CHARLOTTE BREENE - STAGE MANAGER Charlotte Breene is a Sydney based Stage Manager who has recently graduated with a Bachelor of Arts (Honours) from the University of Sydney and received her Certificate III in Live Production and Services in 2016. Charlotte recently served as the Stage Manager for Son of Byblos (2022) with Belvoir 25A and her recent previous credits include working with The House that Dan Built for their productions of Bagatelle (2021), SALT (2019) and Dancing with Drip Poles (2018) and KXT bAKEHOUSE’s Surf Seance (2019). https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195352108-69ROINN2SE1BCDDS6TF6/20220714_AttemptsOnHerLife_1-13.jpg Attempts On Her Life Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195350766-KX0NBZMAWRD8AWDJV4YN/20220714_AttemptsOnHerLife_1-15.jpg Attempts On Her Life Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195356954-8YBLCN22L2CZ19QGUUUQ/20220714_AttemptsOnHerLife_1-17.jpg Attempts On Her Life Program https://images.squarespace-cdn.com/content/v1/5399c82ce4b083bff5aed398/1658195359363-PS54FV9CCGNAHG0BPVPU/20220714_AttemptsOnHerLife_1-20.jpg Attempts On Her Life Program 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